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"We got Daniel to do a sympathetic action which again was handheld trying to copy the movement of the previously shot plate says Whitehurst.
We then had to stitch those two plates together."."Roger Deakins is not keen about the contamination in the lighting, so we decided to just do roto.We actually prevized the camera, mirror and blue screen set up in Maya to work out the layout and dimensions.Once the basic layout was approved we added detail to the animation by procedurally adding imperfections to the movement of the individual elements as well as keyframing other parts such as the jaw.Visual effects supervisor Steve Begg acknowledges he comes from the 'old school era' of effects production, but his wealth of experience was vital in marrying the digital and practical work in the latest Bond film, Skyfall, directed by Sam Mendes.



The initial brief was quite different to the final result as this part was meant to look like a shadow puppet theater.
If the bond issuer had not increased its rates, the investor might not have had to sell his bond for less than its face value.
We actually used fur for this, animated by a wire simulation that had to match the slow, underwater feel of the sequence.
Cinesite had to match dust interaction from the on set gravel and fuller's earth mix as the dragon takes the ankle."The back of the train falling off was CG says Double Negative visual effects supervisor Andrew Whitehurst, "but the shots where the digger bites into the top of the train were practical." Dneg also re-built plates and backgrounds where rigging and an extra bogey wagon.Watch the digger scene.Special effects and miniature effects supervisor Chris Corbould exploded the model, which was then composited by Peerless Camera Company (which also contributed the Golden Dragon Casino exterior approach and the Macau balcony love scene shots later in the film).The new owner of the bond receives interest based on the face value of the bond, so he continues to receive 100 per year until the bond matures.


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